Towards the Blue Peninsula

by Keith Berry

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In the Treeeees
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In the Treeeees Albums like this are why I keep up with this record label. A work worthy of many replays. Too bad there's not a vinyl pressing. It's like watching nebulae slowly collide in outer space.
Adrien Capozzi
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Adrien Capozzi My new 'go to' album for drifting off at bedtime.
Berkdrums
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Berkdrums Why did I wait to buy this album?! My predecessors here @ the reviews are spot on... don’t hasitate, buy, put some nice headphones on or in-ears and let these soft drones enter your soul... let it do its magic on the inside....
patient_ot
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patient_ot Gorgeous minimalistic drones. Very well done and highly recommended.
Nicholas Szczepanik
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Nicholas Szczepanik Keith Berry remains one of my favorite contemporary sound artists. Any and all of his work is worth seeking out. Favorite track: Untitled 6.
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  • Compact Disc (CD) + Digital Album

    Photography by Iain Stewart, design by Timothy O'Donnell. Stoughton mini-lp gatefold sleeve with color cardstock envelope inner sleeve. Limited to 500 copies.

    Includes unlimited streaming of Towards the Blue Peninsula via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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about

This is a previously unreleased and new work from Keith Berry. Partially inspired by Koda's "Movements" full-length recording from almost 10 years ago, Berry has moved away from the computer-based compositions of 'The Ear That was sold...' utilizing Akira Rabelais's Argeiphöntes Lyre software to something a bit more windswept perhaps or at times aquatic and organic sounding. Not that prior endeavors were ever easily categorized as computer-based, or sterile environments - quite the opposite. What makes Berry's recordings so engaging, is that one is never quite sure what the source of sound is. It doesn't matter - each piece in their own right is magnificent from the debut 'The Golden Boat' to the twin masterpieces, "The Ear That Was Sold to a Fish" and "A Strange Feather" to "The Cartesian Plane" LP and now "Towards the Blue Peninsula". Berry's recordings are the result of letting ideas take their course, revising, re-visiting and letting the works breathe.

credits

released December 1, 2013

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